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NEW AMSTERDAM ART CONSULTANCY International
Avantgarde Art Standards NAAC as an
international art consultancy specialized in modern Chinese art is aware
of and deeply concerned |
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BOARD OF SPECIALISTS Zhao Shaoruo
president URARC |
BOARD OF ADVISORS Chen Tong
art critic |
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I. PRINCIPLES, DEFINITIONS AND CATEGORIES
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After
long and intensive discussions based on profound arthistorical research,
the board of specialists of the URARC is glad to present the new INTERNATIONAL
AVANTGARDE ART STANDARDS by introducing contemporary CATEGORIES, SUB-CATEGORIES
AND SECTIONS and their application on modern Chinese art. THE PRINCIPLES:
1. Avantgarde art can be divided in three main catagories: NEW SOCIALISM,
NEW TRADITIONALISM and the art of DING YI & MAI ZHIXIONG. (Socialism and
Traditionilism both forming the main roots of the present culture of P.R.
China have nothing to do with the art of Ding Yi and Mai Zhixiong, which
therefore should be recognized as a main category of equal importance)
2. NEW SOCIALISM can be divided into two sub-catogies: firstly, those
artworks who express or reflect a personal opinion or concept about their
actual social surroundings or who present a certain view of the world,
will be called CONCEPTUAL ART. CONCEPTUAL ART must be divided into two
sections: PAINTING and SCULPTURE: For instance the works of Cai Jin, Chen
Danqing, Duan Jianyu, Fang Lijun, Feng mengbo, Hong Hao, Hu Zhiying, Li
Tianyuan, Qi Zhilong, Qiu Zhijie, Wang Yin, Ye You, Yu Youhan, Zhang Gong,
the photograper Zhang Hai'er, Zhang Yajie and the older works of Zhao
Bandi and Zhao Jianren can be defined as NEW SOCIALISME, sub-category
CONCEPTUAL ART, section PAINTING and the works of Ai Weiwei: "Shoe" and
"Safe Sex", both 1987, Xu Tan; "Constant and Varying Speed" 1992 and Zhao
Bandi's "Moonflight", 1994: NEW SOCIALISM, sub-category CONCEPTUAL ART,
section SCULPTURE. 3. The second sub-catagory of NEW SOCIALISM concerns
works of art which only can exist or came into beeing in a certain situation.
E.g. the "Formular" of Geng Jianyi played its part in reality and came
into beeing during the meeting 1988 in Huangshan preparing the Avant-Garde
Exhibition 1989 in the National Gallery, Beijing, like Sun Ping's Share
Certificates (A), issued by CHINA SUN PING ART COMPANY LIMITED, April
10, Wuhan, Yan Lei's video registration of the removal of his armpit hair,
"Claer Away" 1993, entitled. The video-artworks from 1991 and 1992 of
Zhang Peili, which shows uncommented parts of the reality. and the "Labour
of Berlin" of Wu Shanzhuan which only existed during his work as a warder
in the exhibitionhall and as a waiter in the restaurant of the "Haus der
Kulturen der Welt" (House of Cultures of the World) 1993. So did the artworks
"Analyses I", June 1990 and "Analyses II", August 1992 which were the
actual analysing activities of the New Measurement Group (Xinkedu Xiaozu)
Beijing.
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This
kind of artworks can neither be seperated from the reality nor do they
express a certain view on the reality, that's why URARC decided to call
this kind of artworks NEW SOCIALISM, sub-category REALISM. Other outstandings
works in this sub-category are the series temporary artworks Li Yongbin
realized between 1990 and 1994 at his home in Tuanjiehu, Beijing, Liu
Anping spreading perfume on the acres of Dazhai and other crimes like
the one in the Holiday Inn of 1992 entitled: "The Behaviour of Young Red
is Rightous" October 1992, the foam-sculptures 1993 and 1994 of Zhu Ming
realised in his studio in Dongcun Beijing before he and Ma Liuming disappeared
on June the twelfth this year and the the Po-Mo action of the President
of URARC, Zhao Shaoruo executed in the Beijing Dongdan Dahua Video Theatre,
July 8, 1994 where he spread nearly a litre black ink over half of the
there invited 40 VIPs, representing the quintessence of the Peking Avantgarde
Art Circle, and Zhang Huan's action the eleventh of June 1994 in Dongcun.
The last mentioned event took one hour anabout 250 cc of Zhang Huan's
blood, which, via medical equipment, dripped during fivty minutes out
of his body (naked hanging in chains in the rafters of his studio) into
a heated flat, metal plate where it boiled and curdled into a small, dark,
bubbling and heavily smoking heap, gradually filling the room with an
intense, a bit sweetish, smell. 4. The other main-catagory, NEW TRADITIONALISM,
consists of three sub-catagories which speak for themselves: Firstly:
GARDEN-INSTALLATIONS like the works of, Gu Dexin 1989 in Paris and later
in London, and paralel with Lin Yilin realized in Berlin subsequently
showed in Rotterdam, Oxford, Odense (Denmark) and Hildesheim (Germany),
Jiang Jie's exhibition "Critical Point" at the Gallery of the Central
academy of Fine Arts, May 1994. Second: CALLIGAPHY-INSTALLATIONS like
those of Ni Haifeng, Xu Bing and Song Haidong's recent works in Shanghai.
Third: ART THEORY-INSTALLATIONS like the artworks of Huang Yongping.
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II. AWARDS & URGENT WARNINGS
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After
exhausting research and deep considerations the board of specialists is
proud to have the honnour to announce that the first price, the URARC
GOLDEN INK BOTTLE 1994, will be presented to Zhao Shaoruo for his refreshing
Po-Mo action in the Beijing Dongdan Dahua Video Theatre of July 8, 1994,
and who, according to the regulations of the URARC, will be politely invited
to be the President of the URARC 1995. The URARC URGENT WARNINGS 1994
will be given to all artists who take it for granted by presenting plans
instead of artworks
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