Wang
Xingwei
1969 born
in Shenyang, Liaoning Province
1988-1990
studies at the Shenyang Normal University, Fine Art
Department
1990-1991
teaching at a middle scholl in Shenyang
Lives and
works as indepenedent artist in Shanghai
Solo
Exhibition
1996 The
Dust of the Romantic Male Heroism Cifa Gallery, Beijing
Group
Exhibitions
1994
Put to Trial - four men exhibition Cifa Gallery, Beijing
1996 China
- Aktuelles aus 15 Ateliers Reithalle, Munich
Reckoning
with the Past
Fruitmarket Gallery, Edinburgh
1996-1997
China Now Littmann Kultur Projekte, Basel subsequently the
exhibition travelled to Parco Square and Kirin Art, Tokyo
1997
Biennale d'art Contemporain de Lyon France
1997
Scholarly Documents Art Gallery of the Lu Xun Art Academy,
Shenyang
1998
Confused... Reckoning with the Future Rai Artfair, Amsterdam, The
Netherlands
China
Five Thousand Years
Guggenheim Art Museum, Bilbao, Spain
Opportunists Basement
at the north third ring, Beijing
1999
Innovations Part I CAAW, Beijing
Changing
Views Kunsthal
Hof 88. Almelo, Holland
Concepts,
Colors and Passions
CAAW, Beijing
China's
High Potentials Canvas,
International Art, Amsterdam
APERTO
over all - the 48th Biennale of Venice Italy
Modern
Chinese Art Foundation
Caermerklooster, Gent, Belgium
Hsin: a
visible spirit - Contemporary Photography from the People's Republic of
China Cypress
College Photography Galleries; BC Space Gallery, USA
1999/2000
Zeitwenden - Rueckblick und Ausblick Kunstmuseum Bonn, Germany and
Kuenstlerhaus & 20er Haus Vienna, Austria
Futuro -
Chinese contemporary art
Contemporary Art Centre
(CACOM)
Macau
2000
Fuck
Off Xi
Suzhouhe 1133, Shanghai
Portraits,
Figures, Couples and Groups from the Mcaf Foundation,
BizArt, Shanghai
Unusual & Usual – Contemporary Art Exhition Yuangong Art
Museum, Shanghai
2001
Inauguration
of the New Gallery CAAW, Beijing
200
2003
Bibliography:
Wang Xingwei
JIANGSU
HUAKAN 江苏画刊
(ART MONTHLY) 1994 - 10; 1995 - 3 – p. 57;
Hu
Fang et al., “Aktuelles aus 15 Ateliers, Performances, Installationen” (cat.)
Hahn Produktion Muenchen 1996;
Zhang
Songren et al., 张颂仁
“Reckoning with the Past - Contemporary Chinese Painting” (cat.) The Fruitmarket
Gallery Edinburgh 1996, pp. 11, 12, 19. pic.: pp. 45, 46;
Leng
Lin “Reality: Present and Future - ‘96 Chinese Contemporary Art” 冷林
“现实:今天与明天”
盛佳拍卖公司,北京
(auction cat.) Sungari Intern. Beijing 1996. pic.: no. 1;
CHINESE
TYPE (E MAIL MAG. HARD COPY) 1997 VOL. 1 - ISSUE 5 – p. 47;
“China
Now” (cat.) Parco Co. Ltd 1997;
YSJ
1998 - 7;
“失效自救学术文献“
(cat.) 1998;
“Confused...
- Reckoning with the Future, Contemporary Paintings and Photography” (cat.)
Canvas & Gall. Serieuze Zaken, Amsterdam 1998. pic.: pp. 36, 37;
Xu
Ruotao and Xu Yihui “Corruptionists” (cat.) 徐若涛,
徐一晖
”偏执”
Beijing 1998. pic.: pp. 20, 21;
Leng
Lin “It’s Me!” 冷林
“是我”
(cat.) Beijing 1998 pic.: p. 20;
CHINESE
TYPE (E MAIL MAG. HARD COPY) 1998 VOL. 1 - ISSUE 6 – pp. 28, 32;
“Chinese
Contemporary 96 - 98” (cat.) London 1998, pic.: pp. 11, 37;
“CCAA
1998” Report, pic.: p. 14;
JIANGSU
HUAKAN 江苏画刊
(ART MONTHLY) 1998 – 12 – p. 23. pic.: pp. 24, 27;
Kielstra,
Martijn “Platform 99 - 70 young visual artists from asia and latin america”
(cat.) Canvas Foundation, Amsterdam 1999, p. 66. pic.: pp. 66, 67;
CHINESE
TYPE (E MAIL MAG. HARD COPY) 1999 VOL. 2 - ISSUE 2 – pp. 41, 59; VOL. 2 - ISSUE
4 – pp. 5, 14, 21, 41; VOL. 2 - ISSUE 5 – p. 36; VOL. 2 - ISSUE 6 – pp. 50, 51;
Clark,
John and Dijk, Hans van. “Modern Chinese Art Foundation” (cat.) Provincieraad
Oost - Vlaanderen, Belgium 1999, pp.17, 18, 29, 70. pic.: pp. 71 - 73;
Spada,
Clayton “hsin: a visible spirit - Contemporary Photography from the People’s
Republic of China” (cat.) Cypress College, USA 1999;
“Chinese
Oil Paintings - Beijing Hanhai ‘99 Spring Auctions” Beijing Hanhai Art Auction
Corp. 1999, no 59;
Xu
Xiaoyu “Talking is the Road” (Chinese) Hunan Meishu Chubanshe 1999, pp. 192 -
203;
Decrop,
Jean et al., “Futuro - Chinese Contemporary Art” (cat.) Fundacao 2000, pp. 16,
17, 48. pic.: pp. 48, 49;
Lu
Peng,
吕澎,
90s
Art China,
1990-1999,
中国当代艺术史,
1990-1999,
Hunan
Fine Art Publ. House,
湖南美术出版社,2000,
pic.: pp. 176, 177;