Zhao Bandi

 

1963        born in Beijing

1988                graduated from the Oil Painting Department of the Central Academy of Fine Arts. Lives as an independent artist in Beijing

 

Solo Exhibitions

 

1992           A New Painting by Zhao Bandi The art gallery of the Central Academy of Fine Arts, Beijing

1994                Moonflight Hanmo Art Centre, Beijing

 

Group Exhibitions (selected)

 

1993        China Avantgarde subsequently showed during 93-94 Haus der Kulturen der Welt, Berlin; Kunsthallen, Rotterdam; Museum of Modern Art Oxford; Kunsthallen Brandts Klaedefabrik, Odense Denmark; Hildesheim Art Gallery, Germany

Red Star over China: Tenuous Peace over China Keen Gallery, New York

1994        Configura 2 Erfurt, Germany

1995        Calendar, Zhao Bandi and Zhang Qiang, China Today Publishing Company

China - Recent Art from 15 Studios Reithalle Muenchen, Germany

Exchange 30x30x30 cm of Earth between China and Germany, Beijing - Munich, Germany

1997        Exchange 25x25x25 cm of Earth between China and Britain, Beijing-London

every day - the 11th Biennale of Sydney, Australia

1999        Concepts, Colors and Passions CAAW, Beijing

APERTO over all - the 48th Biennale of Venice, Italy

Modern Chinese Art Foundation, Caermersklooster, Gent, Belgium

Love: Chinese Contemporary Photography and Video - International Arts Festival Tachikawa, Japan

2000        Shanghai Biennale 200 Shanghai Art Museum

The Sun Rises in the East – the current atistic scene in Asia  Rencontres internationales de la Photographie, Arles, France

                Portraits, Figures, Couples and Groups from the Mcaf Foundation, BizArt, Shanghai

Post Material - Interpretatians of Everyday Life by Contemporary Chinese Artists Red Gate Watch Tower,    Beijing     

 

Bibiliography: Zhao Bandi

 

JIANGSU HUAKAN 江苏画刊 (ART MONTHLY) 1992 - 1 – pic.: pp. 24, 25; 1993 - 6;

JIANGSU HUAKAN 江苏画刊 (ART MONTHLY) 1993 – 6 – pic.: p. 5;

Soloman, Andrew “Not Just a Yawn etc.” The New York Times Magazine, 19 - 12 – 1993, p. 49;

Dijk, Hans van and Noth, Jochen and Schmid, Andreas et al., “China Avantgarde” (cat.) Edition Braus, Heidelberg 1993, pp. 194, 195, 324. pic.: pp.196 - 199;  

JIANGSU HUAKAN 江苏画刊 (ART MONTHLY) 1994 - 11 – pp. 16, 17, back cover;

Zeng Xiaojun, Ai Weiwei, Xu Bing, “The Red Flag - The Black Cover Book”, 1994. pic.: p. 69;

Ubu Roi Art Research Committee: “The 1994 URARC Report”, Beijing 1994 current at website http://www.archivesandwarehouse.com/ under History;

HUALANG 画廊 (ART PERIODICAL) 1995 - 5, 6. pic.: p. 5;

Zeng Xiaojun, Ai Weiwei, “The Red Flag - The White Cover Book”, 1995. pic.: p. 107;

Zhao Bandi, “Configura 2 - Dialog der Kulturen - Die Frage 40 Antworten” Band 2, Configura Projekt GbR, Erfuhrt, Germany, 1995, pp. 24, 25 ;

Moeller, Peter et al. “Configura 2 - Dialog der Kulturen” Band 4, Configura Projekt GbR, Erfuhrt, Germany, 1995, pic.: p. 130;

Zhang Qing 张晴 “九十年代中国美术 1990 - 1992” 新疆美术摄影出版社，1996;

“A Pictorial Book of Contemporary Chinese Artists - 星座文化艺术研究中心“ 京华出版社 1996, p. 170. pic.: p. 170；

Hu Fang et al., “Aktuelles aus 15 Ateliers, Performances, Installationen” (cat.) Hahn Produktion Muenchen 1996;

Leng Lin “Reality: Present and Future - ‘96 Chinese Contemporary Art” 冷林 “现实：今天与明天” 盛佳拍卖公司，北京  (auction cat.) Sungari Intern. Beijing 1996. pic.: no.13;

CHINESE TYPE (E MAIL MAG. HARD COPY) 1997 VOL. 1 - ISSUE 1 – p. 15;

Leng Lin “Dream of China - ‘97 Chinese Contemporary Art” (auction cat.) 冷林 “中国之蒙 - '97 中国当代艺术” 盛佳拍卖公司，北京, Sungari Intern. Beijing 1997. pic.: no. 20;

Zeng Xiaojun and Ai Weiwei, ed. Hui Pi Shu. “the Grey Cover Book”.” Beijing. 1997, p. 85. pic.: p. 84;

JIANGSU HUAKAN 江苏画刊 (ART MONTHLY) 1998 – 7 – pic. : p. 8;

Xu Ruotao and Xu Yihui “Corruptionists” (cat.) 徐若涛, 徐一晖 ”偏执” Beijing 1998 pic.: pp. 14, 15;

Leng Lin “It’s Me!” 冷林 “是我” (cat.) Beijing 1998 pic.: p. 22;

Watkins, Jonathan et al., “every day - 11th biennale of Sydney” (cat.) 1998, p. 234. pic.: p. 235;

CHINESE TYPE (E MAIL MAG. HARD COPY) 1998 VOL. 1 - ISSUE 6 – pp. 28, 32, 34;

“Contemporary Art of China - 中国当代艺术报道“ 1998；

Zhang Zhaohui et al., “Departure from China - A New Chinese Art Exhibition” (cat.) Beijing 张朝晖等 “从中国出发新艺术展”北京1999, p. 86. pic.: pp. 77-79;

Brandt, Alexander et al. “Art for Sale - 超市“ (cat.) Shanghai 1999;

Shimuzu Toshio et al., “Love: Chinese Contemporary Photography & Video” International Arts Festival Tachikawa, Japan 1999, p.69. pic.: pp. 73 and front cover inside;

Clark, John and Dijk, Hans van. “Modern Chinese Art Foundation” (cat.) Provincieraad Oost - Vlaanderen, Belgium 1999, p. 19, 88. pic.: p. 89;

CHINESE TYPE (E MAIL MAG. HARD COPY) 1999 VOL. 2 - ISSUE 3 – pp. 7, 46, 54; VOL. 2 - ISSUE 4 – pp. 7, 15, 22, 23; VOL. 2 - ISSUE 5 – pp. 18, 28, 29; VOL. 2 - ISSUE 6 – pp. 52, 96, 100, 104;

JIANGSU HUAKAN 江苏画刊 (ART MONTHLY) 1999 - 11 – pp. 35, 36, 62;

Huang Yan, Hai Bo, Jiao Yingqi “2000 China - Internet Video and Photo Art” (cat.) 1999. pic.: p. 23;

Xu Xiaoyu “Talking is the Road” (Chinese) Hunan Meishu Chubanshe 1999, pp. 323 - 336;

Kunz, Sabine “ Aufbruch in China” , Art Nr. 5, 2000, pp. 20, 21;